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Das Verhältnis von Theologie und Literatur im 18. Jahrhundert, das weder begrifflich noch sachlich, weder historisch noch systematisch dem von Religion und Literatur oder Frömmigkeit und Literatur identisch ist, lässt sich als ein insgesamt instabiles, im Detail schwieriges und offenes beschreiben: Stärker als die Theologie im Katholizismus und im Judentum ist die im Protestantismus Transformationen unterlegen: Sie bewegt sich in der Spanne von Lutherischer Orthodoxie und rationalistischer Theologie zwischen erbaulicher cultura animi und vernünftiger Wissenschaft. Die Literatur der Zeit entwickelt sich in der Spanne von Barock zur Romantik von einer ancilla theologiae zu einer wohl selbstbestimmten und zugleich zunehmend am Markt orientierten Institution. Solchermaßen sind Theologie und Literatur in wechselnden Konstellationen aufeinander bezogen: z.B. lernt die Theologie von der Literatur die Gemeinde als ein Publikum zu fesseln, und die Literatur will als Predigt von der Theologie einen Sinnstiftungs- und Orientierungsanspruch übernehmen. Diese und andere Konstellationen und Verhältnisse der Konkurrenz und der Ergänzung, der Konfrontation und der Koexistenz nehmen die Beiträge des Bandes in den Blick.
82:2 --- Literatuur en godsdienst --- 82:2 Literatuur en godsdienst --- German literature --- Theology --- History
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82-2=20 --- Engels --- toneel --- 82-2=20 Toneel. Drama--Engels --- Toneel. Drama--Engels --- Juliet (Fictitious character) --- Romeo (Fictitious character) --- Vendetta --- Youth --- Drama --- Verona (Italy) --- Drama.
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In this remarkably erudite work, Christopher Bundock argues that the repeated failure of prophecy in Romantic thought is creative and enables a renewable potential for expression across disciplines.
Romanticism --- 82:2 --- 82:2 Literatuur en godsdienst --- Literatuur en godsdienst --- Europe. --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- 1700-1799
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Fiction --- Thematology --- Jesus Christ --- anno 1800-1899 --- 82:2 "18" --- 82:2 "18" Literatuur en godsdienst--19de eeuw --- Literatuur en godsdienst--19de eeuw --- History and criticism. --- In literature.
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Beginning with a wide-ranging introduction that explains why a theological reading of Victorian fiction is both rewarding and timely, Perkin also addresses religion's return to prominence in the twenty-first century, confounding earlier predictions of its imminent demise. Chapters on William Thackeray, Charlotte Brontë, Charlotte Yonge, Anthony Trollope, George Eliot, and Thomas Hardy are followed by a concluding discussion of Mary Ward and Walter Pater that relates Pater's Marius the Epicurean to postmodern theology and shows how it remains a religious classic for our own time.
English fiction --- Christianity and literature --- Christianity in literature. --- Theology in literature. --- History and criticism. --- History --- Christianity in literature --- Theology in literature --- 82:2 --- 82:2 Literatuur en godsdienst --- Literatuur en godsdienst --- History and criticism
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Literary semiotics --- Theatrical science --- Drama --- 792.01 --- Semiotics --- Theater --- -82-2 --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Drama, Modern --- Plays --- Literature --- Dialogue --- Theater: theorie; esthetica --- Toneel. Drama --- Philosophy --- Drama. --- Semiotics. --- 82-2 Toneel. Drama --- 792.01 Theater: theorie; esthetica --- 82-2 --- Dramas --- Dramatic works --- Playscripts --- Théâtre. Séméiologie [Linguistique]. --- Toneel. Semiologie [Taalwetenschap]. --- 82-2 Drama. Plays --- Drama. Plays
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An enormously exciting, beautifully written and very moving work. The Paper Canoe comprises a fascinating dialogue with such masters of theatre as Stanislavski, Meyerhold, Craig, Copeau, Brecht, Artand and Decroux.
82-2 --- 792 --- Toneel. Drama --- Theater. Theaterwetenschap. Toneel --- Acting. --- Dance. --- Theater --- Anthropological aspects. --- 792 Theater. Theaterwetenschap. Toneel --- 82-2 Toneel. Drama --- Acting --- Dance --- Theater anthropology --- Anthropology --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Histrionics --- Stage --- Elocution --- Anthropological aspects --- Ethnology. Cultural anthropology --- Theatrical science --- 792 Theatre. Stagecraft. Dramatic performances --- Theatre. Stagecraft. Dramatic performances --- 82-2 Drama. Plays --- Drama. Plays
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This is the first book-length study of how point of view is manifested linguistically in dramatic texts. It examines such issues as how readers process the shifts in viewpoint that can occur within such texts. Using insights from cognitive linguistics, the book aims to explain how the analysis of point of view in drama can be undertaken, and how this is fruitful for understanding textual and discoursal effects in this genre. Following on from a consideration of existing frameworks for the analysis of point of view, a cognitive approach to deixis is suggested as being particularly profitable for explaining the viewpoint effects that can arise in dramatic texts. To expand on the large number of examples discussed throughout the book, the penultimate chapter consists of an extended analysis of a single play. This book is relevant to scholars in a range of areas, including linguistics, literary studies and cognitive science.
Drama --- Prose literature --- Point of view (Literature) --- Théâtre (genre littéraire) --- Prose --- Point de vue (littérature) --- Technique. --- Technique --- Art d'écrire --- Psycholinguistics --- Stilistics --- 82-2 --- 82-2 Toneel. Drama --- Toneel. Drama --- Fiction --- Narration (Rhetoric) --- Persona (Literature) --- Dramaturgy --- Authorship --- Playwriting --- Art d'écrire. --- 82-2 Drama. Plays --- Drama. Plays
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Literature --- Thematology --- Bible --- Epical, mythological and fictitious figures --- literatuurgeschiedenis --- bijbel --- 82:2 --- 82:291.13 --- Literatuur en godsdienst --- Literatuur en mythe --- 82:291.13 Literatuur en mythe --- 82:2 Literatuur en godsdienst --- 810 --- literatuur --- bijbels --- mythologie --- motieven --- literatuurwetenschap --- Bible and literature --- European literature --- Mythology, Greek, in literature --- Literature and the Bible
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This work introduces key debates, movements, and ideas relating to the Christian religion, and connects these to literary developments from 1750-1914. The authors provide close readings of popular texts and use these to explore complex religious ideas.
82:2 --- 820 "18" --- 82:2 Literatuur en godsdienst --- Literatuur en godsdienst --- 820 "18" Engelse literatuur--19e eeuw. Periode 1800-1899 --- Engelse literatuur--19e eeuw. Periode 1800-1899 --- English literature --- Religion and literature --- History and criticism. --- History --- England --- Religion --- Literature --- Literature and religion --- History and criticism --- Moral and religious aspects --- English literature. --- Religion and literature. --- English Literature --- English --- Languages & Literatures
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